Monday, 5 November 2012

Bursledon Brickworks open day, Southampton, 2011

Bursledon Brickworks open day, Southampton, 2011

This is a painting of an open day at Bursledon Brickworks, Southampton UK during the early morning start up of vintage traction engines. It is a heritage museum site, based in a old brickworks. This  display of traction engines takes place during the spring each year, and this artwork depicts the line up during April 2011. The engine in front is called 'Little Lucy', and is a Wallis Traction Engine. The tall brick chimney seen in the background is a local landmark, although it is shorter than it used to be when the brickworks was in operation. It was fun painting the shining brass, copper and the paintwork on the engines. The woman polishing part of an axle adds extra interest and scale to the scene. Getting the perspective correct in a scene like this is very important. It helps to sell the viewer of the painting the scale and weight of the machinery. Mechanical objects can not be cheated on when trying to ignore perspective, it has to be done right. The ariel perspective (colour fading in the distance) helps to sell the scene and create a smoky atmosphere. The painting is done in oils on a 16" x 20" canvas. 
Bursledon Brickworks open day, Southampton, oil painting 1
Bursledon Brickworks open day, Southampton, painting1


This is a 2nd painting of an open day at Bursledon Brickworks, Southampton UK. It is a heritage museum site, based in a old brickworks. This is a display of traction engines put on during April 2011. The engine featured is a Aveling and Porter traction engine (TA  1063).  It was fun painting the shining brass, copper and the paintwork on the engines. The woman on the right photographing the engine was added later to add extra interest and scale to the scene, as was the boy in the trailer on the left. Getting the perspective correct in a scene like this is very important. It helps to sell the viewer of the painting the scale and weight of the machinery. Mechanical objects can not be cheated on when trying to ignore perspective, it has to be done right. Getting the ellipses right within a painting like this is very important.
Bursledon Brickworks open day, Southampton, oil painting
Bursledon Brickworks open day, Southampton, painting 2

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